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| The Complete Blue Note 45 Sessions ： ウィキペディア英語版 |
The Complete Blue Note 45 Sessions
''The Complete Blue Note 45 Sessions'' is a compilation album by American saxophonist Ike Quebec. The album focuses on Quebec's 45 RPMs recorded throughout his short career between 1959 and 1962. It was first issued on Mosaic MR3/MD2-121 in 1988, then re-released on a now out-of-print Blue Note CD in 2005. Despite the fact this is a compilation, all the pieces couldn't be found anywhere else at the time of the release, and still remain so, not counting ''From Hackensack to Englewood Cliffs'' which, however, includes only a part of this collection.
The July 1 session marks the last day of recording at the original Van Gelder Studio, based in Hackensack. Van Gelder would move the studio to Englewood Cliffs soon after.
==Background==
In the early 1950s, jukebox was becoming a fundamental way to foster jazz, and companies were aware of that. Blue Note had just experienced an amazing success thanks to Horace Silver's hit "The Preacher/Doodlin'" (BN 1630). Producer Alfred Lion, astonished by the popularity the 45 had gained, decided to invest more in 45 RPMs. At some point, he chose to issue Quebec's "Blue Harlem", a piece recorded in 1944. It became an unexpected hit, "the sort of record that any bar in a black neighborhood wanted on its jukebox".〔Original liner notes by Bob Porter of WBGO〕 That hit marked the point of departure for Ike Quebec's career at Blue Note.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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